Curator Beth Carter Talks About Bill Reid’s Legacy and Contemporary Northwest Coast Art

Bill Reid carving the plaster model of The Spirit of Haida Gwaii, 1986; Photo provided by Bill Reid Gallery

In 2008, the Bill Reid Gallery of Northwest Coast Art was launched to celebrate the work and continue the legacy of Bill Reid, an iconic and master goldsmith, sculptor, and carver, in addition to broadcaster, writer, and activist. “His influence and his ongoing inspiration for young emerging artists today is very special,” says Curator Beth Carter.

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Curator Beth Carter Talks About Bill Reid’s Legacy and Contemporary Northwest Coast Art

First Nations body art showcased in new exhibit

Body Language: Reawakening Cultural Tattooing of the Northwest by
Aaron Leonen.

In 1885, the government of the Dominion of Canada initiated its now infamous potlatch ban. The legislation forbade the practice of such indigenous customs as the potlatch. (The legislation lasted until 1951.)

Prior to the ban, the art of tattooing and piercing was integral to Northwest Indigenous ceremony and social rank. Today, these traditions are re-emerging not only as decoration, but also to provide healing, protection and a meaningful sense of belonging.

The Bill Reid Gallery of Northwest Coast Art (639 Hornby St.) celebrates its 10th anniversary with a new exhibit honouring contemporary artist’s work in these traditions. Body Language: Reawakening Cultural Tattooing of the Northwest features five Northwest Indigenous tattoo artists. The work is on display June 8-Jan 13, 2019.

Find out more about the artists below.

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First Nations body art showcased in new exhibit